Season 36: Con todo Corazón, is all about the heart – the stories that live within – the stories that we carry with us, burning brightly across generations and cultural boundaries. Join us for the 2019/20 season, packed with history, connectivity, modern mashups, revolution, rebirth, and undying love. Scroll down to get to the heart of the matter.
Experience MILAGRO and let your imagination soar.
As the premier Latino arts and culture center of the Pacific Northwest, Milagro has provided extraordinary Latino theatre, culture, and arts education for the enrichment of all communities since 1985.
On the MainStage, Milagro produces a full season of regional or world premieres, including one Spanish-language play each year, as well as our long-running Día de los Muertos signature production. We entertain our audiences; we give them pause to think, feel and imagine; and, through the cultural lens of latinidad, we reflect the full spectrum of humanity.
José Eduardo González, Executive Director, and Dañel Malán, Teatro Milagro Artistic Director, founded the Miracle Theatre Group, a.k.a. Milagro, in 1985. Milagro was an outgrowth of ARTPAZ, founded and owned by González and Malán in 1984, that produced an eclectic blend of theatre productions beginning with Relatively Speaking by Alan Ayckbourn, staged at the Savier Street Theatre. In the next year, ARTPAZ experimented with a variety of productions, avant garde, irreverent, and socially conscious, as it searched for both identity and purpose.
Oedipus Rex Production, 1986
In 1986, after the formation of Milagro as a non-profit organization, the company produced Oedipus Rexat the Northwest Service Center and founded the Ancient Greek Theatre Festival. For the next seven years, Miracle continued to produce Greek tragedies and comedies. In 1989, González, inspired by nostalgia for his beloved Southwest, spearheaded the creation of the first Hispanic Cultural Festival. This ambitious event presented two adult plays, Roosters by Milcha Sanchez-Scott and Burning Patience by Antonio Skarmeta, and Teatro Milagro’s first bilingual children’s play, Perez y Martina by Thom Jenkins. Additionally, the first program presented local dance and music companies, featured Portland poets in bilingual poetry readings, and in collaboration with the Council for Human Rights in Latin America, presented the internationally renowned musical group Illapu from Chile.
Over the next two seasons, Milagro continued to produce the Hispanic Cultural Festival in the spring and the Ancient Greek Theatre Festival in the fall (talk about identity crisis!). Finally, in 1992 the organization felt that the transition point had been reached and dedicated its entire energy to the production of Hispanic works of theatre, art and culture. And it has not turned back since.
Día de los Muertos Festival
At the end of 1992, Milagro reached another important juncture. It decided to relinquish its tenancy at the Northwest Service Center and find its own home. Over the next three years, Miracle continued to produce a full season of productions utilizing available theatres and “spaces” throughout the region. Finally in September of 1995, after three years of wandering and wondering, Miracle discovered its present home. In seven short weeks it set up its administrative offices and built its current theatre, just in time for the first Día de los Muertos Festival. In December of 1997, it accomplished another milestone: purchasing its building. This enabled it to expand its facilities to include a dance/rehearsal studio, a gallery space, scene shop, and props/costume storage area. Recently, the organization has taken over more space and will be working to expand its lobby and establish a café, box office and gift shop.